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Online-only
Prisoners use drugs. Stop trying to stop them
Drug prohibition in prisons is a dangerous farce that generates violence, overdoses, and corruption.
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Magazine
When security infects social work
A Montreal homeless shelter recently laid off its front-line workers and replaced them with security guards. Service users and front-line workers in Montreal discuss what happens when social services focus on control, not care.
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Online-only
Comic: No police at overdoses
Police often show up at overdose scenes when someone calls 911 – despite the fact that police presence has not been requested nor is it warranted. This short comic illustrates some of the findings of a new report on Canada’s Good Samaritan Drug Overdose Act.
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Magazine
Breaking the cycle of harm
To avoid police and prisons, more leftists are turning to accountability processes to repair harm. But fractious accountability processes are tearing communities apart. How might returning to transformative justice’s Black feminist roots help break the cycle?
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Sask Dispatch
On the Prairies, the drug crisis is not opioids, but meth
Almost everything about stimulants like meth is different from opioids. And Saskatchewan is woefully unprepared to care for the rising number of people seeking treatment for meth addiction.
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Magazine
Reading truth to power
The struggle over whom Winnipeg’s downtown library belongs to serves as an unexpectedly sophisticated example of what’s possible when leftists organize outside of the electoral sphere and commit to winning a single protracted struggle.
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Magazine
Is voting really “harm reduction”?
People who say “voting is harm reduction” wrongly assume that in the lead-up to elections, all we can do is vote for the least-bad candidate or party.
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Magazine
Fighting for Space
The history of the harm reduction movement is one of direct action and protest – an “act first, ask second” attitude that was the only reasonable response to an outbreak of preventable disease and a crisis of premature deaths. Nicholas Olson reviews Fighting for Space, by Travis Lupick.